Welcome to THE BALISONG JOURNAL An online journal of Southeast Asian Martial Arts, Culture and Spirituality from Guro Jeff Davidson and Detroit Kali-Silat. We will focus on Filipino Kali, Batangas Knife, and Silat Melayu (especially Silat Kuntau Tekpi) - along with Yoruba (West African) fighting and healing arts- and other interesting diversions along the way.
Monday, May 28, 2012
Sunday, May 13, 2012
Journey in African Martial Arts pt 2
Drum,Weapon, Hands
I ended up moving from the suburbs down to the barrio in
Southwest Detroit. By the time I could
speak Spanish well enough I wasn’t considered so much of an outsider. I was going to school during the day,
training in Kali and Silat in the evenings, and spending as much time as I
could with the man who became sort of a ‘sponsor’ to me. I’ll call him Tata Palma here. He owned a small candle and curios shop on
West Vernor, and it was a very popular hang-out place in the local community. He was one of my first friends in the
neighborhood. Over the years, I gave him
so much money toward that damn candle store that I became a de-facto partner in
the business! He actually became my
Padrino (Godfather).
Can you explain that?
He was originally from the district of Quiebra Hacha in
Havana. Apart from being a terrible
businessman, Tata Palma was a Master in several Afro-Cuban religious
expressions. The foundation of his personal
practice was Bantu-Kongo. Now in Africa,
lineages like that generally proceed along familial (typically matriarchal)
lines. In the days of slavery that all changed. In the Cuban Diaspora, the Africans
re-organized into social and mutual-aid societies generally called cabildos –
which were organized not by family, but by nacion – such as Yoruba, Bantu-Kongo,
or Efik (from Cameroon). Within a
particular cabildo you could have several spiritual lineages represented, and
new ones were also formed. The specific Bantu-Kongo
‘houses’ were known as munansos. Interestingly,
the matriarchal paradigm continued for the most part. It’s usually the women that end up holding
everything together.
Formal entry into a munanso requires an initiation. The Elder that sponsors or conducts your
initiation is considered your Godfather. In 1991 I was formally accepted into Tata
Palma’s munanso.
What is the purpose of the initiation?
Well, the best way to describe it…it’s like being accepted
to a university. You’ve met whatever
qualifications are required and now you’ve been invited to study on a higher
level. That’s all. How far you go now is up to you. A lot of people don’t go very far past that
point. There’s a lot of hard work and
study to be done. If you don’t put the
time and effort in, it’s like being accepted to college and then never going to
any of the classes. As my old Karate instructor used to say about getting a
Black Belt: it doesn’t mean you’ve mastered anything, it means we’re just
beginning to take you seriously as a student.
Most importantly, if you do go for the advanced study, initiation
gives you your fundamento – that’s your foundation which will follow you, allow
you to build for the rest of your life.
Can you describe the initiation itself?
Yes, but I won’t. Put
it this way: any initiation whether it’s from a Native American tradition, Sufism,
or whatever, generally consists of some type of ordeal – followed by a symbolic
Death-and-Rebirth. The old Self along
with its expectations and parameters dies and a new Self with a new set of
expectations and parameters emerges.
You have a new perspective of your past,
as well as your future potential. Your elders
and community (ideally) help you to realize that as you progress.
to be continued...
Saturday, May 12, 2012
Happy Mother's Day
And the Prophet, May G-d's Peace and Blessings be Upon Him said: "Your Heaven is under the feet of your Mother"
(Ahmad, Nasai)
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