Saturday, July 26, 2014
A well made keris will have the properties of pliability, strength and balance. In times of war, the first two are tested for their mettle. But in times of peace, keris lovers spend their time testing the third property by standing a keris.
An interesting spectacle, many people have come to view it as an unattainable skill personally. As for myself, having stood many a keris before, I will say that it is very possible for a beginner to stand his own keris for the first time.
Now, if anyone out there once thought that standing a keris has to do with mantras and magic, I apologise for bursting your bubble. The ability to stand is just a testament to the smith's magic, which is in making the blade.
There are two ways to stand a keris. One is on its handle, and another is on its tip. Believe it or not, it is easier to stand a keris on its tip than it is on its handle. So, today, we'll choose the easier one to do.
First, you will need a keris. Two types are generally available, a Keris Sepokal, which only has one lok or a Keris Semenanjung, which has three and more loks. Choose a Keris Semenanjung with between 3 to 9 loks which is the easier to stand, since the loks act as fine counterbalancers against each other.
Be careful of choosing one with too many loks, since this will mean that the keris is inherently heavy and won't be able to support itself on the sampir of the sarung.
Second, remove the keris from the sarung and find a rough area to practise on. A good place to start is a carpet about 5mm thick. This will give the tip a good foothold. Place the sarung on the carpet and position the tip of the keris at a 45 degree angle to the neck of the sarung. Make sure the hulu is facing outwards. This will create a triangular shape between the sarung and the keris. Make sure the tip touches the sarung.
Third, with one hand steadying the tip, hold the hulu lightly in your other hand using your index finger and thumb. This gets tricky. You have to carefully find the sweet spot where the weight of the hulu will make the tip rest on the side of the sarung. This can take between a few seconds to a few minutes. Keep going until you get it. Practise makes perfect.
After you've practised on the carpet, challenge yourself by trying out other difficult surfaces, such as linoleum, a tiled floor or even glass. After standing your own keris, you'll want to try standing other kerises as well.
Reflection of the maker
According to Zainal Abidin Che Pa, director of Malaysian Handicraft Development Corporation’s Conservation Department, the decorative elements on traditional weapons differ from one weapon to another.
“Weapons made by the Melayu often carry floral motifs and those made by the Chinese feature turtles, bells or dragons. For the Indians, their design elements often feature elephants,” explains Zainal.
“Weapons that feature ‘heavy’ decorative markings were also used as accessories for special events such as weddings,” he adds.
The decorations often indicated the status of the owner. In the olden days, weapons with engravings complemented with gemstones usually belonged to nobility and dignitaries, or those in the higher hierarchy of a community.
Types of weapons
There are various types of traditional weapons. Among them, the badik, golok, kelewang, keris, sword and sundang.
The badik is a small dagger used for self-defence. It was widely used after the keris was banned by the British government. The badik’s blade is made of metal and the hilt of wood or ivory horn, decorated with gold, silver and brass. Badik was the weapon of choice for women in the olden days.
The golok is a machete used in battles. Its shape is influenced by the Javanese and European swords. The shape of its blade is slightly rounded and sharp on one side. There are a variety of golok — Golok Kelantan, Golok Bugis, Golok Perak and Golok Minangkabau, among others.
The kelewang is a shorter version of a sword. But its blade’s design makes it prominent. Popular in the East Coast states, especially in Kelantan at the end of the 18th Century, its length measures 0.6m. Its blade tapers on one side and the size increases towards the tip. The blade has two tips with oneside carved.
But the traditional weapon with the most extensive decorative elements would be the keris. This weapon is synonymous with the Melayu community. To some extent, it speaks of the Malay identity. Having been in existence for six centuries, a keris’ hilt has the most weight in design.
Carved by master craftsmen, the process of carving a keris can be quite complicated. The carving styles for a keris’ hilt involves several processes. Before the hilt receives its beautifying finishing touches, the craftsman will first have to do a low-relief carving to define the outer facet of the hilt.
Then the base motifs, which have been traced using carving blocks, will be defined using a wooden chisel. The hilt’s carving technique is very fine.
“Craftsmen believe that the keris is very special and mystical. It is not something to toy with,” says Zainal.
Besides the keris, the sword is just as special. Designs in the country are influenced by designs from India, Pakistan, Persia (Iran), Japan, Sumatra and Java. For example, a type of sword called cenangkas looks like a sword from India and another type, jenawi, is somewhat similar to the Japanese katana or Samurai sword.
Then there’s the sundang. It is the largest item in the keris family. Its design too can be elaborate as it is used for royal installation ceremonies.
Hunting and protection
The traditional weapons of the Orang Asli in the country have completely different decorative features. The designs are influenced by the environment. Among the Orang Asli’s arsenal are blowpipes, spears, the adze and trident. They are made using materials found in the environment.
These weapons are decorated with inks of different colours. The weapons are used for self-defence and hunting. For Sabah’s Murut and Bajau communities, their most favoured weapon is the machete, which is available in different sizes.
Decades ago, the machetes were used to kill. In the olden days, enemies were beheaded using the weapons. But, not anymore. For Sabah-born machete craftsman Jamawid Soh, modern Sabah machetes are these days made as souvenir items and for personal collections.
Jamawid makes hand-carved Bajau machetes for a living. Among the machetes from the Bajau community are the gaya and barong.
“The Bajau machete is different because the carving is not only on the sleeve but also on the blade,” says the 42-year-old. Jamawid learnt to make the machete from his father. He started making machetes when young. He takes about three days to make a machete. The Bajau machete features a significant motif, a replica of the head of a bird. Jamawid says this design is called the Sigai.
In Sarawak, one of the better known weapons is the ilang machete also known as mandau. Like in Sabah, this machete was used for self-defence. The head-hunters would decapitate their enemies with it.
According to Zainal, the ilang machete is synonymous with the Iban community. Other types of machetes in Sarawak are the nyabur machete (used by the Sea Dayak people), and spear, pipe and jepur (sword).
These three weapons are significant to the Bidayuh people. Traditional weapons in Sarawak are made beautiful by decorations and carvings. Like the keris, the hilt is carved. The sheaths are made of animal skin or wood.
Often, the motifs for these weapons are geometrical. Additional features of the weapons include shells, beads and animal teeth.
Wednesday, July 09, 2014
Indian scriptures have their own 'teachers day' in the form of Guru Purnima. The calendar offers this day to pay obeisance to those who have helped shaped your life.
The Vyas purnima, popularly called Guru Purnima, is actually the birthday of Guru Ved Vyas, who edited the four Vedas, wrote 18 Puranas, Mahabharat and Srimad Bhagavata.
Ved Vyas is honored by all students of Vedas today. Vedas are considered to be the fountainhead of all knowledge, and grateful students of the scriptures perform pujas and aarti of the great saint. Explaining the significance of Guru Purnima, Sanskrit scholar and a teacher of Yajur Veda at the Bhosala Ved Pathshaala in Mahal says, "Vyaso chishtam jagat sarvam, is a popular saying in Sanskrit. It means that all knowledge that comes from the Vedas is very superior. The students of Vedas thus express their gratitude to the great sage."
However, Pathak says that everybody should observe this day. "Guru Purnima is observed by those who are under the guidance of a guru. But those who are not, can pay their respects to their parents. Scriptures say that the mother is the first teacher followed by the father."
For Nandani Sahastrabudhhe, who heads the Swarali musical group, which had featured in the second season of TV show India Has Got Talent, Guru Purnima is a day of giving and receiving. "My students express their gratitude on this day. Though the tradition is to offer a garland but now floral bouquets are more common. I too make it a point to visit my guru Shubhda Pendharkar to pay respects."
Monday, June 16, 2014
|Hassan Mansour - Representative for Lebanon|
Kru (Teacher) Hassan “Axe” Mansour is a highly respected fighter, teacher, and trainer in the disciplines of Muay Thai, Muay Chaiya, and Muay Boran. He has fought all over the world, and was the 2011 Muay Thai Champion of the Middle East. He trained extensively in Thailand, and that’s also where he tested and received his teaching credentials. Here at home, between teaching Muay Thai to adults and children, his practice as a licensed Massage Therapist, and numerous VIP Security assignments, he continues to train brutally hard, and is without a doubt one of the sheer toughest fighters I personally have seen in 20 years.
In 2013, Kru Hassan joined The Detroit Kali-Silat Academy as one of the first new students in our newly established school in Dearborn, Michigan. He refused any and all deference from us with respect to his rank in Muay Thai “I’m just a beginner like any other beginner” he would insist. But Kru Hassan was not an ‘ordinary’ beginner. He immersed himself in Kali-Silat training with a true passion. Attending every class, practicing between sessions, asking the assistant instructors for extra attention at every opportunity, refining his technique. He even strongly encouraged his own students and stable of fighters to train in Kali-Silat as well. Within 3 months or so, he was already training on the “other side of the room” with our advanced students.
Kru Hassan has more than earned the respect of the Teachers and students of The Detroit Kali-Silat Academy. It gives us great pleasure to now officially appoint him as our Representative in his home country of Lebanon. He will henceforth be organizing and promoting Kali-Silat training there with our blessing. We are quite confident that his program will flourish.
Congratulations to Kru Hassan “Axe” Mansour. Mabuhay!
Tuesday, June 03, 2014
"The generosity and openness of The Brotherhood never ceases to impress me. Training with you guys is nothing short of an honor for me. This trip to Baltimore and Virginia this past weekend has shown me that it's the passion for learning that allows us to grow into great martial artists, but even more importantly, great people. Thank you all."
- Brendan Hanson
"This past weekend was a blast! It was truly a pleasure training with our brothers and sisters in MD and VA, building new friendships, and strengthening old ones. As this was my first time training in the Baltimore area, I was a little anxious at first but the feeling quickly passed. Thanks everyone for welcoming a newcomer with open arms, minds, and hearts. I must also confess, I'm jealous of the easy access to such phenomenal food down there, I guess that means I'll be back soon. Safe journeys everyone!"
- Jonathan Rebhahn
"Honestly, not enough can be said about the Brotherhood. We really have such a special community here, both in general, and especially within the martial arts world. For us to be a part of an open arms group, that spans many arts, is inclusive of all others, stresses uniqueness over conformity, and is willing to change for the sake of the evolution of the art, is something you're hard pressed to find in a world full of traditionalists and egoists. I was fortunate to come into the fold a little over 6 years ago, and that time allowed me to really watch this group as it grew. I've seen thought processes, people, attitudes, relationships, and the size of our community all change, and all for the better. All those memories and feelings came back to bear this weekend. Finding the new minds to touch with the arts, and going back to train with the old family members that have come to mean so much to me, really sent home the truth of what this Brotherhood is really about. There are many martial artists in the world, but every time we have a get-together, I can't think of another group I would rather be a part of. To all the people I know, until we train again. To all the people I just met, thank you for the experience, and I hope you continue to train with us. And, to all the people I have yet to meet, I look forward to both sharing and learning from you. Let's keep the Brotherhood strong. Until next time, folks!"
- Ali J. Ahmed
Sunday, June 01, 2014
|Nathan Featherstone: Teacher of Irish Stickfighting|
Among the many interesting and dedicated martial artists I met on my recent visit to The Emerald Isle (that’s the great country of Ireland, for you homebodies) is a young man who is certainly no stranger to the ‘Fine Art of Combat with Impact Weapons’. Mr. Nathan Featherstone was an enthusiastic participant in the historic SEA of Fusion Martial Arts Festival hosted by one of Ireland’s leading Silat teachers, Guru Besar (Master) Liam MacDonald in May of this year.
During the weekend, Nathan kindly gave Kuya Doug Marcaida and me a brief introduction to the history and practice of Irish Stickfighting –of which he is a teacher. He also graced us with a display of some of the fine pieces from his own personal collection of fighting sticks.
In the spirit of all true Warriors, I found him to be humble, quiet, and extremely knowledgeable in his area of specialty. He has graciously allowed me to ask some questions for the benefit of my blog readers.
Nathan, please tell us a bit about your Martial Arts background:
I like many others began my journey into martial arts at a very young age but I fell out of love with the art I studied, not with martial arts themselves. I remember asking my instructor “what if some grabs you?” and never being given an answer. This instilled in me the search for what Matt Thornton of SBG calls aliveness, in short to see the art work in real time.
How did you come to focus on the fighting traditions of Europe?:
Many years later and with the internet becoming more available I began to research the martial arts of Europe - something I was totally unaware of. Then I found out that my home country of Ireland had its own martial arts.
This led me down a rabbit hole of history, politics, fakes, research and bullshit but eventually I found my path. Due to the complex history of war in Ireland, “fighting” is something often frowned upon and these arts were viewed as something to be forgotten and almost were, but not for the immigrant families who left the country.
Is there a particular ‘style’ of Irish stickfighting you practice?
I was led to the Doyle style preserved by the Doyle family who immigrated to Canada and after many years I came to be the instructor for Ireland. This was one of the proudest achievements of my life. The style is very unique and is one that revolves around the heavy blackthorn stick. This is the traditional fighting stick of Ireland the shillelagh and has a rich and interesting history.
Does this style have an empty-hand component, or is it purely based on the stick?
Like some Filipino martial arts this style was designed to work with the empty hands but much more similar to European pugilism in nature and has some very unique traits including stance, grip and a series of blocks and strikes.
When I spoke with you in Ireland, you made several references to “full-contact” matches that you’ve fought in. Why/how did you take the traditional form you studied into the practical arena?
As always this led me to wanting to see this art alive and this in turn brought me to the Dog Brothers. This was one of the best decisions I have ever made as it not only introduced me to full contact stick fighting but also the martial arts of south east Asia and some of the nicest people I know. It also allowed me to bring DBMA to Ireland and to be the first Irish person to take part in a gathering.
You seem to have developed a taste for Silat as well:
Over the years I have been blessed to meet some amazing martial artists and was properly introduced to Silat for the first time this year. An art I have always had huge respect for as to me it bridges the areas in between striking and grappling, combining them and it really does work.
Have you studied with Guru Besar Liam MacDonald in the past?
No, but I had heard of his guys and had meant to come train and saw the event on facebook and said “I better go to this!”
What are your thoughts on the SEA of Fusion seminar?
For me this was one of the best martial arts events I have attended the main reason being so many styles, schools and instructors came together and put any differences aside to simply enjoy themselves and learn. With silat being as rare as it is to have so many people in one place never mind a small country like Ireland was a blessing.
So, what are your thoughts on training and teaching now and into the future?
I feel blessed to have accomplished so much so young and I know I have a long road ahead of me. I now train in many styles including mma, bjj, boxing and many others and run a small martial arts group in Dublin called blackthorn fight school named after the stick used in the art I am working to preserve.
Can people contact you directly to learn more?
Yes, there is our group facebook page if people want to get in touch, which is this